Brecht in München: Unterschied zwischen den Versionen

[[Bert break]] 1917-1919 in Munich studied - he was eingeschreiben at least here and visited the abenteuerlichesten course compositions; to most interested it, which with sex diseases, or which had to do with theatre. It lived into Munich of [[1917]] to [[1924]]. Munich was in these years an important political pivot [[Weimar Republic]] and enjoyed the call of an art city. In Munich Bert Brechts career began; Information to its youth and its career jump in [[Munich]] are here. ==Jugend== Eugen break in [[Augsburg]] one bore and enjoyed in its parents' house a gediegenen largecivil prosperity, child girl and house-served were to that it and his brother walter at disposal, the father led a department of the paper factory Haindl and earned thereby very well, the nut/mother remained to house. It got sick however still during Brechts youth heavily with cancer and stood thereupon most time under Morphium. Brechts early childhood apart from the civil prosperity of the parents' house is coined/shaped also by the Wilhelminismus with its rigide conservative basic tendency. It does not take to that extent the same writing gentleman-light to miracle that break as 16-Jähriger, when in the year 1914 the First World War had broken out in the first year of this war still completely (alternativeless) to propaganda of the large patriotic honour project war hang-give; short time later however - possibly lively by description of the actual circumstances at the front by its schoolmate Caspar Neher, made the young break pazifistische turn, which led it last end to a perfect refusal all those culture elements, which had formed the ideological basis of this mass dying: it revolted against the civil authority and Sittenhörigkeit, the civil and better classes generally, exactly the same as vitalistic against their Heiligtümer such as church, family, honour etc. in recent years resulted from it one - exitenzialistisch coined/shaped basic attitude Brechts, in early writings as e.g. , as also in the lyric poetry to be sought out leaves itself ==Als student in München== in the year [[1917]] could breaks an emergency Abitur placing (together with five colleagues of a whole former class stage had remained remaining). It was 19 years old and had its education abgschlossen - this would have drawn in the year 1917 the immediate summoning to the front, would have made Brechts father valid not to influence and money. On the desire against the military service to protect itself probably also its inscription at [[university]] the Munich in the subject medicine, taken place shortly thereafter, can be regarded - medical students were in . Brechts slope for clique formation, the fact that he always surrounded himself with a close circle by Verehrern and admiring gutters, had already developed in its Augsburger Jugenzeit; within these friend circles, how it for break to Zet of its life be chrakteristisch should, was sung joint, written the text, made music and was not collagiert at text projects - naturally could breaks not innerhlab short time such a circle alone in Munich to construct; it remained therefore first for the city Augsburg closely connected, turned again and again into the well-known friend circle back (- even if it polemisierte allegedly: '' The best at Augsburg is the course to Munich '' “). It began to attach Gleichzeititg at a vielmaschigen net of new acquaintances; in the years [[1917]] - [[1920]] primarily in Munich, later additionally still in Berlin. At the beginning is break disappointed from Münchnen, whose call had more expected itself as artist city following it: „'' with the art much is not the matter. I am an important a station of its Munich stay for a locking of the theatres for artistic reasons '' “(from a Bief at Caspar Neher in the dec. 1917) was surely the acquaintance with the circle over [[Arthur Kutscher]] (the one theatre criticism seminar held - a new fact at that time), and that it made possible to become acquainted with that break still briefly before its death from him much admired [[franc Wedekind]] personally could. In the Zusammnhang with the Kutscher seminar also meeting with Hanns Johst, Nazis the realm writing chamber resulted to lead should. Johst, favourite of Kutscher, brought at that time - very successfully - the expressionistische . '' in only three weeks '' “a better piece. He worked finally far longer on the Baal, and large parts of this Erstlings can be led back with security to the cooperation by Brechts ([[Caspar Neher]]) (George Pfanzelt) - in the winter [[1918]]/[[1919]] the piece was however in its first form posed. At the same time the freshly baked [[Weimar Republic]] was vibrated by einerm unrest condition into the next; in Berlin tried communist in the course of the November revolution unsuccessfully to prevent that old wilhellministische structures were reetabliert again under democratic name, pink Luxembourg and Karl dear farmhand was murdered, etc. in [[Bavaria]] - i.e. in this Zusammnhang v.a. in [[Munich]] - among other things a small circle of left Jewish intellectual ([[Kurt Eisner, Ernst Toller]] tried to place) one [[soviet republic]] on the legs; the population did not offer none support, success was thus produced. Finally the residents of Munich of advice and many were niedergemetzelt their Sympatisanten Epp. Break ship-swung during these nights with friends on Augsburger the Plärrer. When reached it and Caspar Neher still additionally the message that also - at least with intellectual one liked - the Bavarian one the president [[Kurt Eisner]] murdered by the radical count Arco was, decided the two young men a piece over the tendency of those days to write - . With selbigem in the bag breaks open short time dipped later with [[Lion Feuchtwanger]] and offered to it - the large influence on the decision-making processes of the residents of Munich of chamber plays (at that time under [[Otto Falckenberg]]) had - the piece, . Feuchtwanger was inspired both by the pieces and by Brechts ungehobeltem occurrence. An active exchange between the two begins, breaks is finally far more in the salon of the Feuchtwangers at home than in the changing small rooms, which it holds itself; to ask finally searches Brechts father heavily respectfully [[Lion Feuchtwager]] on around it, so talentiert consider - when Feuchtwanger affirms can break from the university to exmatrikulieren, without having to do without the monthly cheque of the father. ==Karrieresprungbrett München== [[1922]] very successfully to the resident of Munich [[chamber plays]] n produced of [[Otto Falckenberg]] uraufgführt. Break in the meantime further important contacts had attached: thus it played clarinet with [[Octoberfest]] - the Bude [[Liesl Karl city]] s and [[Karl Valentin]] s and makes friends themselves with the Komikerpaerchen, from Berlin brought it to Arnolt Bronnens friendly obligation and co-operation as well as the support of the well-known theatre critic Herbert Jhering, a further quantity sent contracts put on with different (!) Publishing houses with itself. Therefore success visibly signed starting from the year 1922: directly following the drum production [[chamber plays]] of [[Karl Valentin]], [[Liesl Karl city]] and breaks together arranged Kabarettprogramm (for the first time in the chamber plays small art one showed); soon thereafter break lent on Jehrings recommendation of the Kleist price. Brechts on journeys to Berlin and in Augsburg piece “in the Dickicht [[residence theatre]] (at that time still the old residence theatre - its one knows Intereur today in [[Cuvillies theatres]] to admire) of [[Erich angel]] produces and released a theatre scandal. Into this time interval also the relationship Brechts with the young [[Marieluise Fleisser]] falls - the two became acquainted with themselves in Feuchtwangers salon. Break further as Dramaturg to [[chamber plays]] the n one employed and got a contract over a high salary in Goldmark (! thus Feuchtwanger could be pleased still together a revised version of Christopher Marlowes “King Edward : . The piece and its production Brechts last large throw should become in [[Munich]]: he produced even thereby however by his recent acquaintance, Asja Lacis, was supported, which had learned for its part in Russia with Meierhold and iron stone. Vermultich are appropriate for epischen and political theatres in this inszenatorischen co-operation of the two the roots to Brechts. [[1924]] pulls break finally to Berlin - the climate seems to it there less brown and less provinziell - one must introduce itself that in the years [[1922]]/[[1923]] the before times unknown NSDAP had begun to operate and into the public step strengthened in Munich, to theatre performances uncertainly to make etc. the whole kulminierte finally [[1923]] in the Putschversuch Hilters and völkischer Sympatisanten ([[Hitler Putsch]]). . In all other respects it created Bert breaks up to its removal to Berlin (it counted at that time 26 tender Lenze) already at least three children with different to have partner inside witnessed. … ==Literatur to the resident of Munich Brecht== *John Fuegi: Break & CO *Horst Jesse: Break in Munich *Wucherpfennig/trained (Hrsg.): Bertholt break - the contradictions are hopes. *Klaus peoples: Bertholt break *Knopf: Break manual ==Weblinks== [http://www.a-e-m-gmbh.com/wessely/brecht.jpg photo young-break 1] [to http://web.mit.edu/course/21/21.german/www/Images/Brecht.jpg photo young-break 2] [http://www.a-e-m-gmbh.com/wessely/fbrecht.htm article collection]